Stand: 6. Februar 2008, erstellt von Philippe Perreaux
In diesem Beitrag geht es um die Kollektivverwertung im Urheberrecht. Es handelt sich um eine Übersicht die als Zusammenstellung dem Auffinden der in diesem Zusammenhang existierenden Tarife der Verwertungsgesellschaften dient.
The global copyright chaos gets the more and more perfect. And all these new age services really rock!
Unbelievable what speed, ideas and inovation is going on. Accordingly the way to develop creativity, to rip, mix&stream and to distribute anything erevywhere effectivly explodes. Therefore the old fashioned way to licence contents on teritorrial based models, gets more and more use- and senceless. The ability to publish editorial and user generated content side by side, starts to get reallity, too.
One real exciting service in this fields is:
Everybody can have is own TV channel and produce his own shows, directly from the handycam. That means not just only to upload one video, but to maintain a real channel with different shows.
Two interesting exampls are the following:
50cent online backstage videoblogstream - scenes one never could watch before:
And than of course: The MushupTownTV. Here one can see, that all these points of intersection of IP&IT, Content&Media, definitively get into a brandnew aera:
Dirk Avaresh von der dpa, hat einen interessanten, einfach verständlichen Artikel geschrieben, der den Hintergdrund und die Funtionsweise der Creative Commons Lizenzen erklärt, publiziert in der AachenerZeitung.
"Intellectual Property is the oil of the 21st century" - this quote by Mark Getty, chairman of Getty Images, one of the world's largest Intellectual Proprietors, offers a unique perspective on the current conflicts around copyrights, patents and trademarks. Not only does it open up the complete panorama of conceptual confusion that surrounds this relatively new and rather hallucinatory form of property - it must also be understood as a direct declaration of war.
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